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Showing posts with label Rosemary Brown. Show all posts
Showing posts with label Rosemary Brown. Show all posts

Tuesday, March 31, 2015

Music sheets in video of discarnated composers (medium Rosemary Brown)


An unintentional search on the web made me find someone on youtube who has recently posted "video music sheets"  by famous discarnated composers under the mediumship of Rosemary Brown. As many people might know, we have already posted a text on her medium (1) who can be safely regarded as the most relevant manifestation of musical mediumship ever, a strangely and extremely rare kind of psychic ability.

These are the works I could find according to the spirit composer:

1) By Brahms:

Waltz in b-mollhttps://www.youtube.com/watch?v=yPlRGLqeHwY

2) By Rachmaninoff:

Lyric in h-mollhttps://www.youtube.com/watch?v=0bxuRekN0b0

3) By Debussy:

Danse Exotique in Fis-durhttps://www.youtube.com/watch?v=PpZ1gBAxFWY

4) By Chopin:

Nocturne in As-durhttps://www.youtube.com/watch?v=7JqnJ5qgDZI
Impromptu in f-moll, https://www.youtube.com/watch?v=k-CzCd4AJyQ
Impromptu in Es-dur, https://www.youtube.com/watch?v=-UT8dqabdf0

5) By Liszt:

 Lament in e-moll, https://www.youtube.com/watch?v=UBhYgZoQpak
Waltz in b-moll, https://www.youtube.com/watch?v=yPlRGLqeHwY
Jesus Walking on the Water, https://www.youtube.com/watch?v=mdPQj4pXovQ

7) By Schubert (and played by Leslie Howard):

Sonata in f-mollhttps://www.youtube.com/watch?v=SN3R_xwj1Rs

Schubert's sonata in particular called my attention because it is a complete work (not simply a "piece" as many Mrs. Brown's communications are presented). According to Wikipedia:
Sonata form (also sonata-allegro form or first movement form) is a large-scale musical structure used widely since the middle of the 18th century (the early Classical period).
The simplest sonata pattern has three phases: an exposition, a development and a recapitulation. The same reference explains:
The standard definition focuses on the thematic and harmonic organization of tonal materials that are presented in an exposition, elaborated and contrasted in a development and then resolved harmonically and thematically in a recapitulation. In addition, the standard definition recognizes that an introduction and a coda may be present. Each of the sections is often further divided or characterized by the particular means by which it accomplishes its function in the form. 
Regarding such Schubert sonata, it would be interesting to make a detailed musicological study in order to identify potential composer's signatures. Such study would remarkably demonstrate the influence of the discarnate mind, its intention and operational methods besides serving remarkable as new evidences of immortality.

References

(1) E. Bomfim (2014) Rosemary Brown and Psychic art, https://docs.google.com/file/d/0BzdGM5lC6GhJRUY4R09UamxtSWM/edit?pli=1



Friday, November 29, 2013

New article about Rosemary Brown in SKL (by Érico Bomfim)

Physical effect are really able to impress the senses, but intelligent effects carry the traces that help to reconstruct the underlying author's personality with much more clarity. (E. Bomfim)
A new article by Erico Bomfim, "Rosemary Brown and psychic art" has been posted in the SKL repository. The article briefly reviews the history of the remarkable British medium composer Rosemary Brown and analyses, from an initial musicologist point of view, her work.

Article content.
  1. Introduction.
  2. Rosemary Brown versus Fritz Kreisler.
  3. Stories of the subconsious mind.
  4. Psychic art as evidence of survival.
  5. References.
Some excerpts of Bomfim's manuscript are reproduced below.
"Rosemary Brown was the greatest musical medium ever. In a time span of only six years, Rosemary Brown composed more than 400 music pieces. And not only music for piano, but also songs and parts of other quartets, concerts and symphonies, besides the beginning of an opera."
"To elaborate the musical material that Rosemary Brown brought to the world, it would be necessary a deep knowledge about a variety of different styles, in all their subtleties that distinguish them. The domination of composition techniques would also be required in order to build a well structured work from the formal point of view, what would probably be equally - or even more - difficult than simply knowing the styles. In short, to compose all Brown's musical pieces, knowledge from distinct musicologists plus the ability of a mature composer would be mandatory. But Rosemary Brown was not neither one person nor group of persons. Therefore the strength of her case."
"Psychic art, as a proof of survival, has a very peculiar value depending of the degree of sophistication and content. Since the spirit is the intelligent principle and true source, an intelligent effect (the very artwork) is an evidence of survival stronger than physical effects such as raps and other material phenomena. Physical effect are really able to impress the senses, but intelligent effects carry the traces that help to reconstruct the underlying author's personality with much more clarity. Those who read an automatic letter or enjoy a work of art have the clear impression that the true author has survived and is doing well."
People cited in the article:









Fritz Kreisler (1865-1972)








Otto Maria Carpeaux (1900-1978)

See reference below for the full article.

Reference

SKL#05 E. Bomfim. Rosemary Brown and psychic art.(2013)

Related materials

Saturday, August 4, 2012

Two compositions inspired by F. Chopin through Rosemary Brown (performed by Erico Bomfim)

Mrs. Rosemary Brown (1916-2001), the famoust British medium to whom thousand music works atributed to several famous composers were dictated.
A never performed work inpired by Frederic Chopin (1810-1849) to the remarkable medium Rosemary Brown (1916-2001) has recently been recorded by Érico Bomfim in a special presentation in Rio de Janeiro, Brazil. Below you may find two pieces: the first is a 'noctune in F minor' (nowhere to be found)  and the second an 'étude in F sharp minor' with significant complexity (already played before by Leslie Howard). Both pieces have high degree of resemblance to Chopin compositions showing that this composer was very sucessuful in transmitting music though Mrs. Brown in the 80's.

Érico Bomfim is a distinguished Brazilian pianist with only 21 years old with a strong interest in Mrs. Brown work. 

The works were recorded at Francisco Mignone Hall in Copacabana, Rio de Janeiro on last June 29 2012.

Nocturne in F Minor (2:55)


Étude in F Sharp Minor(5:37)


More about  psychic music and Rosemary Brown.