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Saturday, September 1, 2012

First study on the statistics of Chico Xavier automatic writing messages

Fig. 1 Brazilian postage stamp released in 2010 in commemoration to Xavier´s birthday.  
Read more about Chico Xavier mediumship by clicking here (access to SKL repository).

Introduction

Brazil has a spiritualist tradition that dates back to the beginning of Spiritualism. The Spiritualist movement in Brazil is known as Spiritism and started after several works on psychic phenomena that flourish around Hippolyte Léon Denizard Rivail (1804-1869) in the third quarter of the XIX century in France. Allan Kardec, as Rivail was to be known later, introduced a set of Spiritualist principles (Kardec, 1985) encompassing not only the basic precepts of Spiritualism such as life after death, the possibility of communication between the material and the ‘invisible’ worlds, but alto the belief in reincarnation. Granted the stable existence of many Spiritist groups in Brazil, many mediums found a highly favorable environment for the development of their faculties starting with physical manifestations (Ana Prado (Faria, 1921), Peixotinho (Palhano, 1997), Mirabelli (Palhano, 1994)) to mental mediumship. Automatic writing or psychography (Braude, 2003; Oxon, 1878; Piper, 1929) can be described as the most prominent feature of many Brazilian Spiritist mental mediums, resulting in the publication of many ‘channeled’ books and works.  
   
Roughly speaking, this material can be divided in two groups: texts covering the principles of Spiritualism from its inception in Brazil to the present date and a vast collection of psychic or ‘channeled’ works that describe the relationship between the Spiritist movement and the afterlife. If we focus on material of paranormal origin, one figure must be distinguished: that of Francisco Cândido Xavier (1910-2002, Fig. 1). His works still remain to be carefully scrutinized and better understood not only as an anthropological phenomenon but also as notorious evidence in favor of the survival of consciousness.  The aim of this short summary is to present one of the first attempts to analyzed a very small set of his works that were published in several grief counseling books (Arantes, 2007; Barbosa, 1982, 1998, 1998b, 2008; Xavier, 1981, 1983) and that contain a peculiar period of his life. During this phase he produced many correspondences addressed to relatives on Earth from recently departed personalities. Texts attributed to such authors contain a large amount of information that cannot be easily explained by alternative hypothesis (i.e., that deny consciousness survival) and that shows the high degree of development that mental mediumship can achieve in a well-trained metal medium.
  
Xavier´s short biography

The first name ‘Francisco’ has a short form, ‘Chico’. Chico Xavier, as he was later known (Playfair, 2010; Leite, 2002; Grumbach, 2010; Filho, 2010), wrote more than 400 books and virtually thousands letters or communications attributed to recently deceased persons through automatic writing. Xavier mediumship started very early when he was about 5 and described to his relatives frequent visits of his deceased mother Maria João de Deus. Public notoriety came in 1932 with the book ‘Parnassus from beyond the grave’ in which Xavier (then at the age 22) presented a vast repertoire of poems attributed to Brazilian and Portuguese authors obtained through automatic writing (Rocha, 2001). By the late 60´s Xavier dedicated a considerable amount of his time to private correspondences as we explain below.

Statistics and psychography in other languages

TAble 1.
In a recent paper (Xavier, 2011), we analyzed the pragmatic and intentional content of these ‘private correspondences’ attributed to a large number of authors (Grumbach, 2010). Grief counseling was the aim of these paranormal compositions from the perspective of parents and relatives who sought the medium after a recent loss.  Using some basic elements of linguistic analysis, we showed how pragmatics and intention are present in those writings and how they contribute to build a convincing image of the possibility of communication with discarnate personalities. In fact, several hierarchical aspects (Rigotti, 2006) are present in a written communications in general (morphology, syntax, semantics, pragmatics and intention), but in automatic writings, such aspects become especially relevant in face of our complete ignorance on regard to the mechanism involved (Beischel, 2009). Thus, if in a message, many names of living relatives are found, such names must be taken into account as instances of morphological importance. If the medium uses words and sentences similar to those attributed to the diseased author, these are examples of private semantic content. Moreover, if the medium communicates intentional messages in the form of sentences of pragmatic value, a high level of interaction is probably taking place that is most easily explained in the context of survivalist hypothesis. Therefore, these correspondences build a dramatic case in favor of survival, given the large number of Xavier´s documented reports, which are however a tiny fraction of what was produced during a period of almost 40 years.


Fig. 2 (a) Distribution of number of words; (b) Distribution of author's age.
We present here a study of statistical content where we have analyzed the content of 113 letters attributed to 87 different authors (Barbosa, 1982, 1998, 1998b, 2008; Xavier, 1981, 1983). Almost all messages were written in the native language of the medium (Portuguese), with exception of 2 cases written in Italian. Table 1 contains general statistical figures extracted from the sample. The total number of words in each letter is approximated by a numerical estimation based on the word density (length and width of each text). The table has two parts. The general statistics lists the total number of analyzed letters, the total number of authors and average and standard deviations for the average number of words per letter as well as the expected distribution of author´s age at the time of their death. A large variation in the letter´s length and author age was found. Maximum letter length in the sample was 1467 words and the minimum was 26. Maximum author age was 85 while the minimum was 3. In the case of very young children, two aspects must be regarded: a) the annotated age is the author’s age at the time of death, while the automatic writing communication was obtained several months or years later; b) in many communication of young children the signed name is only an alias of the true author who is often quoted in the letters as a close relative; c) In the vast majority of letters, grandmothers and grandfathers (and also grand-grand mothers and fathers) from both family sides are the diseased ‘contacts’ or ‘hosts’ in the spirit world. Authorship inference comes from the context (also from the presence of known relative names) and pragmatic content of each letter that was later validated by the families. Another interesting statistics is presented in the second part of Table 1, which brings the average number of citations of ‘living’ and ‘deceased’ people in the letters together with their corresponding standard deviations. The total number of citations of ‘living’ relatives in the analyzed sample is 526 and names of diseased ones are 414. An interesting aspect of our analysis is the large number of nicknames (both belonging to the ‘living’ and ‘deceased’ counterparts), 151. So, at least one nickname per letter is found in the sample. Many old family first names (and most certainly nicknames) were not on the minds of those to whom the letters were addressed. Moreover, given the environment where these correspondences were obtained, almost none previous knowledge on the part of the medium can be assumed which would involve an impossible network of information acquisition as many skeptics have suggested.  Rather, they demonstrate the degree of information and detail a well-trained medium in automatic writing can provide.
Fig.3 Distribution of causes of death encountered in the sample.
Fig 2(a) is the distribution histogram of letter´s length where each bin in the abscissa is the maximum number of words found (thus 20% of the letters have more than 314.2 and less than 458.3 words). Fig.2(b) is the age distribution of attributed authors. Therefore, 5% of the letters are attributed to authors under 11 years old. Fig. 3 is the distribution of author´s causes of death. The large frequency of car crash causes is directly related to high frequency of authors between 20 and 30 years old.
Fig. 4 Automatic writing in Italian attributed to Alberto Corradi.
To give an example of automatic writing in a different language (therefore in completely distinct linguistic framework), we regard in the following a letter attributed to Alberto Corradi (1958-1978) (Barbosa, 2008). The original text is in Italian (see Fig. 4), includes the attributed author signature and was obtained in a sitting at Uberaba/MG, Brazil, on March 16 1979, almost 10 month after Corradi death in a motorcycle accident in Italy, on May 1978. A version of this message in English (parts 1-4) is as follows:
 My mother, dear beloved mommy Ebe. I ask you not to cry any more. Your tears are like flames of pain in my heart. I stay here with my beloved grand-grandma Tina and my grand-grandpa Amadei . Keep calm. God is with us. A kiss of your son to you and my dad. Alberto Corradi.” 
Alberto’s parents lived in Torino, Italy and came to Brazil to try a message from Alberto. The relatives quoted in the message are Alberto’s father grandparents, Mr. Vittorio Amadei  and Mrs. Tina Amadei (bisnono and bisnona as stated in the message, respectively).
Final Remarks
   
Many researchers in the past relied upon evidences coming from physical phenomena in favor of survival and the possibility of communication with the afterlife. However, given the preeminent communication aspect of many mental mediumship manifestations exhibiting a rich pragmatic and intentional content, it is probably more correct to say that mental mediumship provides today the best evidences for the survivalist idea. Xavier´s prolific automatic writing works contain a large amount of information gathered through paranormal ways that is best explained under the assumption of an unseen world that can be put in contact with the physical world. Such material is still little known outside a very narrow domain of the Spiritist community in Brazil and includes a private correspondences or letters that contain a large amount of family specific information. The aim of this paper is to call attention to the existence of this material, which may represent one of the best registered cases of confirmed paranormal acquisition of information in favor of the survival idea.
 
Acknowledgments


I would like to thank Alexandre Caroli Rocha for useful discussions and references.

References

Arantes H. M. (2007), Vozes da Outra Margem, 7th edition, Araras: Instituto de Difusão Espírita;
Barbosa E. (1982), Quem São, 7th edition, Araras: Instituto de Difusão Espírita;
Barbosa E. (1998), Estamos no Além, 11th edition, Araras: Instituto de Difusão Espírita;
___1998b, Horas de Luz, 5th edition, Araras: Instituto de Difusão Espírita;
Barbosa E. (2008), Claramente Vivos, 9th edition, Araras: Instituto de Difusão Espírita;
Beischel, J. & Rock, A. J. (2009). Addressing the survival vs. psi debate through process-focused mediumship research, Journal of Parapsychology, 73, pp.71-90.
Braude S. E. (2003), Immortal Remais, Chapter 5, Rowman & Littlefield Publisher, Inc.
Faria N. (1921), O trabalho dos mortos, Rio de Janeiro: FEB (Brazilian Spiritist Federation).
Filho D. (2010), Chico Xavier: o filme, Columbia/Sony Pictures.
Grumbach C., Gentile L. A. & Pelele P. P. (2010), As cartas psicografadas de Chico Xavier, Crisis Produtivas and Ciclorama Filmes.
Kardec A. (1985), Le Livre des Esprits [1857]. Paris: Dervy-Livres.
Leite A. and Lacerda R. (2002), The Most Prolific Spiritist Medium in Brazil, Francisco de Paula Candido Xavier, returns to the Spiritual Plane, GEAE, www.geae.inf.br/en/articles/news.html
Oxon M. (1878), Psychography: a treatise on one of the objective forms of psychic or spiritual phenomena. Courtesy of spiritwritings.com
Palhano Jr. L (1994), Mirabelli, um médium extraordinário. 1st edition. Rio de Janeiro: CELD (Centro Espírita Leon Denis);
Palhano Jr. L and Neves W. F. (1987), Dossiê Peixotinho, 1st edition, Rio de Janeiro:Lachâtre.
Piper A. L. (1929), The Life and Work of Mrs. Piper. London: Kegan Paul, Trench, Trubner & Co.
Playfair G. L. (2010), Chico Xavier, Medium of the Century, 1st edition. Roundtable Publishing.
Rigotti E. & Greco S. (2006), Communication: Semiotic Approaches, in Concise Encyclopedia of Pragmatics, ed. By J. L. Mey, 2nd edition, Elsevier.
Rocha, A. C. (2001) A poesia transcendente de Parnaso de além-túmulo. Dissertação de mestrado. Campinas, IEL, Unicamp. (The transcendent poetry in Parnassus from Beyond the Grave. Master Thesis.)
Wallace, A. R. (1975). Miracles and modern spiritualism [1896]. New York: Arno Press.
Xavier A. (2011), Pragmatics and Intention in automatic writing compositions: the Chico Xavier case, Paranthropology, 2, number 1, pp.47-51.
Xavier C. (1981), Feliz Regresso, 3rd edition, São Paulo: Instituto de Divulgação Editora André Luiz;
Xavier C. (1983), Correio do Além, 3rd edition, São Paulo: Cultura Espírita União;
Xavier, F. C. (1994), Parnaso de além-túmulo [several authors], 14. Edition, Rio de Janeiro: FEB (Brazilian Spiritist Federation).

 

Saturday, August 4, 2012

Two compositions inspired by F. Chopin through Rosemary Brown (performed by Erico Bomfim)

Mrs. Rosemary Brown (1916-2001), the famoust British medium to whom thousand music works atributed to several famous composers were dictated.
A never performed work inpired by Frederic Chopin (1810-1849) to the remarkable medium Rosemary Brown (1916-2001) has recently been recorded by Érico Bomfim in a special presentation in Rio de Janeiro, Brazil. Below you may find two pieces: the first is a 'noctune in F minor' (nowhere to be found)  and the second an 'étude in F sharp minor' with significant complexity (already played before by Leslie Howard). Both pieces have high degree of resemblance to Chopin compositions showing that this composer was very sucessuful in transmitting music though Mrs. Brown in the 80's.

Érico Bomfim is a distinguished Brazilian pianist with only 21 years old with a strong interest in Mrs. Brown work. 

The works were recorded at Francisco Mignone Hall in Copacabana, Rio de Janeiro on last June 29 2012.

Nocturne in F Minor (2:55)


Étude in F Sharp Minor(5:37)


More about  psychic music and Rosemary Brown.


Saturday, July 14, 2012

Twin Souls (Marco Milani)


A Jewish wedding by Josef Israels, 1903, Courtesy of Wiki Commons.
The image of ‘twin souls”—the symbol of a supposed ideal union between two beings who complete and fulfill themselves -- is present in the poetic language and in the romantic tradition.

One of the greatest sources of inspiration of this ludic concept is the Hermaphroditus Myth. This Greek narrative tells about beings with two heads four arms and four legs making up a third human gender both female and male. They were punished by Zeus for rebelling against the gods and cut apart on their backs and theses halves got lost and are always looking for their missing part.

To have someone in particular that would satisfy us totally in all our affective wants is an attractive idea. It creates expectations especially in those who consider themselves solitary. What’s really worrying however is the fact that this idea projects our own happiness onto another person.

As the “twin soul” concept is part of the popular imagery, the literary works that use this poetic figure can count with a good receptivity and reinforce the illusion that two individuals could complete one another and find happiness when united. Even admitting that the purpose of reading is not always that of enlightenment and serious studying , it is fundamental that one should be wary with the content of what one reads and transmits, to avoid being spreaders of fantasizing ideas.

This does not mean that novels and poems are not welcome. On the contrary, they possess valuable resources of people’s awareness and awakening, by expressing art and beauty. They can be the “open door” to doctrinaire study. However, Spiritism -- whose strength and authority rely on the universal agreement of its principles-- has clarity and objectivity as its essential qualities. Allan Kardec himself made the following comment on his personal characteristics:
“I am not a poet by nature, what I mostly look for, what pleases me most, what I most admire in others is clearness, neatness and precision, and far from sacrificing these to poetry, I could be accused of sacrificing poetic feeling to the rigidity of positive form. I have always preferred what speaks to the intelligence than what hits the imagination”. (Posthumous Works – 2nd part – The Spiritual Tiara).
Thus, if one sets aside the lyrics and search for real understanding, we realize that “twin souls” in its popular imagery would lead to some conceptual contradictions. If we would depend on the other “half”, when we are separated and we would then be incomplete and as such could not be considered as being individualities with all the relative perfection potential inherent to ourselves. It should be observed here that a particular and inevitable union between two souls does not exist because these souls depend on their level of evolution. The more evolved a Spirit is the more linked -- by similarity -- will it be to those who are in the same level of elevation. (The Spirits' Book question # 298-302).

Kardec’s lucid and rational attitude made him state that the “twin souls” theory should not be interpreted literally and he explains that the Spirits who use it do not belong to a high order of Spirits, but are only expressing their ideas according to the language they spoke in their corporeal life. He is against the hypothesis that two Spirits supposedly created one for the other should inevitably be reunited in eternity after having been separated during a more or less long period. (The Spirits' Book question #303a). 

Once discarded the idea of two souls’ predestinated union from their origin, it is relevant to stress that at our present stage of evolution we live the necessary experiences for our own moral and intellectual progress and in this situation are in contact with Spirits that cooperate with us directly or indirectly. This means that we are individualities that live collectively and try to strengthen the existing links of sympathy. This being so, there are Spirits who can help us more than others and with whom we have closer links of affection, but this does not mean that we are “twin souls linked by destiny”. We are evolving Spirits searching our own personal achievement through our own experiences and responsible for our own actions.

According to Fénelon (The Spirits' Book, Chapter XI, #9), the soul’s natural tendency is to look for affection and sympathy. Although usually crushed by selfishness, true love develops with the moral sense and intelligence and becomes the source of true and lasting affection. To practice the Law of Love as God wants it, it is necessary that little by little we arrive at loving all our brothers indistinctly.

Today we are only making our first steps towards a real understanding and the practice of love in its purest expression. Many are locked in the disrupting and interfering feeling of ownership and control of the other being. Dissensions and deceits spring up as a consequence of ill conducted desires of which we are the greatest victims. Facing this situation we look for a refuge in the world of illusions. We idealize. We delegate to others the responsibility of making us happy.

Gradually through our own self-knowledge we search the real happiness with greater self-assurance and determination assuming the responsibility of our own balance. To look at ourselves does not mean to adopt a selfish and proud attitude; on the contrary, it means to wake up and rush to the “good struggle” against our bad inclinations. Thinking things over make us understand that our neighbor has the same problems and the same opportunities than us and consequently those with whom we live cannot assume the responsibility of being the cause of our own happiness. We try then to stop being dependent on others and are then able to share our inner harmony with others.

The Earth is a precious school that enables us to be in contact with numberless souls with whom we have a greater or a lesser degree of sympathy and to learn from them all. And we are thus certainly in contact with those who are relevant to our advancement! And this is not destiny, it is attraction!

In the future we will continue to be with those that we love, but this circle of affections will increase proportionally with our level of evolution up to the top degree in the condition of Pure Spirits, where we love everybody indistinctly.

Peace for all!

Marco Milani
Liga de Pesquisadores do Espiritismo – LIHPE , São Paulo/Brazil

Special thanks to Ricardo Campos from Centre d’Études Spirites Fraternité (CESF)  for the English translation.

Saturday, May 5, 2012

Performance of a lost fragment of psychic sonata attributed to the spirit of W. A.Mozart (by Érico Bomfim).


The spirit of Mozart has just finished to dictate to the medium, Mr. Bryon-Dorgeval, a fragment of sonata. The piece was perrformed by him in the presence of several artists and, as way of control, he did not mention the origin but rather asked them how the piece sounds like. Without hesitation they recognized Mozart´s style. The piece was also executed in the presence of many experts in our society on last April 8th by Miss De Davan, a Chopin's former student and distinguished pianist. As a way of comparison, Miss De Devan first performed a known Mozart's piece. They all agreed not only on regard to the perfect identity of styles, but also on the superiority of the psychic composition. Then, with her usual talent, the pianist performed a piece by Chopin (A. Kardec, Revue Spirite, May 1859) 
In commemoration to the first edition of the Spirit´s book on April 18 (1857), we present a new performed by Érico Bomfim of a lost fragment of sonata attributed to the spirit of W. A. Mozart. The composition was psychically obtained by the medium Brion D'Orgeval and executed by the first time by Miss De Davan in a session of the Parisian Society of Spiritist Studies on April 1859. The group was coordinated by Allan Kardec at the time.

This fragment (it is not a complete sonata) corresponds to the sheets that were burned during one of the last acts of the Catholic Inquisition (auto da fe) in Barcelona (Spain) on October 9th 1861 (A. Kardec, Revue Spirite, November 1861).


The manuscript

The original manuscript was printed and worth 2 francs at the time (1860) as several excerpts of the Revue Spirite describe (January 1860):
Mr. Oscar Comettant (see 'le Siècle' on last October 27th and our answer in the Journal on December 1859) printed in a few days more than 50 copies of the famous Mozart's sonata that can be purchased at Ledoyen house (sold  for 2 Francs net price, according to the important and witty observation of Mr. Comettant ).  
Or, in another passage:
Note: the fragment of sonata dictated by the spirit of Mozart has been just published. You can found it either in the Revue Spirite office or the Spiritist library of Mr. Ledoyen, Palais Royal, Orléans gallery, 31. Price: 2 francs. 
Nowadays, the original manuscript (what remained thereof) can be found for thousands of ponds in some European antique dealers (See remark and figures below).
Original manuscript cover.
Fragment de Sonate, dicté par l’Esprit Mozart à 
Monsieur Brion d’Orgeval, médium (Année 1859)


Part I of a fragment image with numbered bars  (click on the image to enlarge).
Part II of a fragment image with numbered bars  (click on the image to enlarge). 

References
  1. All references to the Revue Spirite are English translations of the version in Portuguese published by IPEAK
  2. Interview with Enrique Eliseo Baldovino, by Júlia Nezu. Published in Revista Internacional de Espiritismo (in Portuguese), January 2011.
  3. TV CEI Report (2011) First performance by Mrs. Enrique Baldovino. (in Portuguese) 
    About Érico Bomfim.

    Born in 1991 in Rio de Janeiro and now (2012) finishing a bachelor's degree in piano at the Federal University of Rio de Janeiro (UFRJ). 






    Remark

    A copy of the manuscript can be found in a recent version in Spanish of the Revue Spirite, volume 2, p. 366-369 (1859). Published by FEB (Brazilian Spiritist Federation).